Mary of Mercy in Medieval and Renaissance Italian Art

Name: Mary of Mercy in Medieval and Renaissance Italian Art
Brand: Taylor & Francis

Taylor & Francis

Mater Misericordiae\u2014Mother of Mercy\u2014emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy\u2014the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees\u2014entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author\u2019s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping funct.