Tradition of the Actor-author in Italian Theatre

Tradition of the Actor-author in Italian Theatre

Taylor & Francis

This book brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. It surveys the works of Dario Fo, De Filippo, and Bene, and casts light on a tradition which continues into Neapolitan and Sicilian theatre today. > This book brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. It surveys the works of Dario Fo, De Filippo, and Bene, and casts light on a tradition which continues into Neapolitan and Sicilian theatre today. > Introduction 1. The Actor-Author in Castiglione's 'Il Cortegiano': 'lo esser travestito porta seco una certa libert\u00E0 e licenzia' 2. Perch\u00E9 molte cose stanno ben nella penna che nella scena starebben male' Reading Between the Lines of the Surviving Ruzante Texts 3. Isabella Andreini's Stage Repertoire: The 'Lettere' and 'Fragmenti' 4. Commedie fortunate\u2026\u2019: 'Le due comedie in comedia' di Giovan Battista Andree

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