Maximum MoviesPulp Fictions  Film Culture and the by Peter Stanfield PAPERBACK

Maximum MoviesPulp Fictions Film Culture and the by Peter Stanfield PAPERBACK

Maximum MoviesPulp FictionsFilm Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson\nAuthor(s): Peter Stanfield\nFormat: Paperback\nPublisher: Rutgers University Press, United States\nImprint: Rutgers University Press\nISBN-13: 9780813550626, 978-0813550626\nSynopsis\nIn the words of Richard Maltby . . . \""Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked.\"" One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural .

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