Browning, Victorian Poetics and the Romantic Legacy
Taylor & Francis
Taking an original approach to Robert Browning's poetics, Martens analyses his work in relation to Romanticism and an evolving Victorian poetic culture. She goes beyond reductive interpretations of Browning as a self-effacing poet to reveal a highly self-conscious, self-dramatising and conflicted engagement with the Romantic tradition. Martens' Browning is a poet of complex contradictions and an illuminating case study in voice, authorial authority and self-reference. > Taking an original approach to Robert Browning's poetics, Britta Martens focuses on a corpus of relatively neglected poems in Browning's own voice in which he reflects on his poetry, his self-conceptualization and his place in the poetic tradition. She analyzes his work in relation to Romanticism, Victorian reactions to the Romantic legacy, and wider nineteenth-century changes in poetic taste, to argue that in these poems, as in his more frequently studied dramatic monologues, Browning deploys varied dramatic methoK
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